Scottish writer and poet Jackie Kay’s personal memoir, Red Dust Road, to play at HOME Manchester in September 2019

“What was old is new again”… The old adage is so tired that nobody takes its proper measure: all people hear is the word “old”, when the important one is “new”.

“There’s a definite idea about the world being no longer habitable in the way that it was,” says Yannis. “A kind of perilousness lack of predictability and a feeling of being overwhelmed by the magnitudes of the problems we face. What’s the response? And what’s the purpose of any response that one individual can have?”

“As soon as I heard dodie’s song, Monster, it immediately put images of hulking beasts and snivelling goblins in my mind… I was keen to try to tell a story within this music video where the protagonist is actually kind of awful.”

Dido Releases her stunning new single ‘Give You Up’, taken from her first album in five years, ‘Still On My Mind’, out March 8th on BMG.

Today, platinum selling, chart dominating powerhouse Drake announces the ‘ASSASSINATION VACATION TOUR’ with support from fellow Canadian rapper, singer, songwriter Tory Lanez. 

“Astonishingly good writing. . . Peters is at the very top of her game” – PopMatters “A beautifully defined and utterly compelling album.. Peters’ ability to give voice to believable characters is unbeatable.”

“When Jerry Springer – The Opera first hit stages in the UK, it created a mass protest. It was unapologetic, uncompromising, fresh and original – and fused a highbrow form with a lowbrow subject matter. This fusion was what first attracted me. After getting through the protestors, I sat down and watched the best two hours of entertaining yet profound theatre I’d seen in years. It started a revolution.”

 “February is fast approaching with that all-important date to celebrate love on 14 February – so make a date and get all romantic and snuggly with your ‘one’ at The Valentine’s Movie Experience, or come with friends to enjoy the fun.”

Haydn says: “‘Half Pure’ is our commentary on the fake and shallow aspects of our society that we all encounter and partake in. It’s a lament about the frustration of existing inside our plastic WW3.”