2019 saw Pennsylvania’s Native Harrow sign to London label Loose (Courtney Mariew Andrews, The Handsome Family, Israel Nash) to release their highly-praised new album, Happier Now. The duo are set to kick off their 2020 with a run of shows across the UK.
The headlining tour will include performances at the UK AmericanaFest showcase in London and Glasgow’s Celtic Connections, before they return later in the year for festival slots at Kilkenny Roots Festival, Black Deer and Deer Shed. The full list of dates can be found below and tickets can be purchased here.
12 Jan – NEWCASTLE Bobik’s
15 Jan – EDINBURGH Voodoo Rooms
16 Jan – INVERNESS Market Bar
17 Jan – GLASGOW Hug & Pint (Celtic Connections)
18 Jan – YORK Basement
19 Jan – MANCHESTER The Castle
22 Jan – BRIGHTON Prince Albert
24 Jan – WINCHESTER Swiss Cottage
29 Jan – LONDON Americanafest UK
31 Jan – KETTERING Little Country Smokehouse
01 Feb – BIRMINGHAM Thimblemill Library
2-3 May – Kilkenny Roots Festival (IE)
19-21 Jun – Black Deer Festival, Tunbridge Wells (UK)
24-26 Jul – Deer Shed Festival, North Yorkshire (UK)
Devin Tuel may consider herself to be an artist meant for a different time, but she now finds herself inhabiting her own true place. The singer-songwriter is at home in Newburgh, NY reflecting on her third album, Happier Now, released under her nom de plume, Native Harrow, as well as the difficult sojourn the former ballerina and classically trained singer has had to traverse to become the writer and performer she was meant to be. “This record is about becoming your own advocate. Realising that maybe you are different in several or a myriad of ways and that that is okay. And further, it is about me becoming a grown woman,” Tuel says.
After nearly two decades of rigorous training in ballet, theatre, and voice, Tuel needed to break out of the oppressive rules of academia and find her natural voice, write from her heart, and figure out what kind of performer she truly was rather than the one she was being moulded into from the age of 3. “I spent my early twenties playing every venue in Greenwich Village, recording demos in my friend’s kitchen, and making lattes. I felt very alive then. I was on my own living in my own little studio, staying up all night writing; the dream I had of being a bohemian New York City artist was unfolding. I wanted to be Patti Smith. I was also heartbroken, poor, and had no idea what I was getting myself into. My twenties, as I think it goes for most, were all about getting up, getting knocked down, and learning to keep going. I never gave up and I think if I told 20-year-old me how things looked 9 years later she’d be so excited”.
Happier Now (out now on Loose), is a set of nine songs recorded and mixed by Alex Hall (JD McPherson, The Cactus Blossoms, Pokey LaFarge) at Chicago’s Reliable Recorders. The album was co-produced by Hall, Tuel, and her bandmate, multi-instrumentalist Stephen Harms. Native Harrow cuts out clear and vibrant narratives on fear, love, the open road, ill-fated relationships, and coping with the state of the world. “I wanted to share that I made it out of my own thunderstorm. I had experienced the high peaks and very low valleys of my twenties. I saw more of the world on my own, got through challenges, reveled in true moments of triumph… but all the while the world around me was growing louder, wilder, and scarier. Music for me is a place to be soft. This album was my place to feel it all.”
Happier Now’s nine songs were written during three back-to-back tours across North America supporting the band’s second album, Sorores. The album was recorded in just three days in March 2018 during what Tuel jokingly calls “downtime” in the middle of the grueling 108 date tour. Tuel approached the sessions like a musicians’ workshop, each morning beginning with the songwriter presenting her collaborators with the day’s material. The trio rehearsed and documented each song live on the floor, tracking as a band through each take. No click tracks, scratch tracks, or even headphones; just three musicians in a small room, captured with Hall’s collection of vintage mics and some subtle retro production techniques. Overdubs, including vocal harmonies, B3 organ, Rhodes, and the rare lead guitar were added to decorate these live performances. The creative energy of the tightly-knit sessions spilled over into Tuel’s songwriting as well – she skipped lunch on the third and final day of recording to pen the road-weary “Hard To Take”. Four days after arriving in Chicago, Native Harrow was back on the road and Happier Now was complete.
