A previously unheard original extended mix titled ‘You Are The Magic (Union Mix)’, taken from the upcoming special edition release of the Johnny Marr + the Healers album Boomslang (Deluxe), is now available to listen to here. First released in 2003, Boomslang will now be available in its entirety for the first time in 21 years from 20th September 2024.
In addition to the album’s 11 original songs, Boomslang (Deluxe) offers fans more new and unheard music from this period. Seven previously unreleased recordings titled ‘All Out Attack’ (now available to listen to here), ‘The Way That It Was’, ‘Get Me Wrong’, ‘A Woman Like You’, a cover of Bob Dylan’s ‘Don’t Think Twice It’s All Right’, plus the extended mix of original album track ‘Get Me Wrong’ (Instrumental Version), and ‘You Are The Magic’ (Union Mix), released today.
Some of the songs written for Boomslang were originally created as expansive desert jam versions, exploring different moods, before being edited down for the album’s first release. At eight minutes and 50 seconds, the original extended mix of ‘You Are The Magic’ is a psychedelic snapshot of the first and only album by Johnny Marr + the Healers.
Boomslang represents a unique trip into Johnny Marr’s creativity at the dawn of the 21st century. Leaning into new technology, experimenting with new ways to write, record and think. After becoming a member of The Pretenders, The The, Electronic, Neil Finn’s 7 Worlds Collide, and writing and performing with Pet Shop Boys, Bryan Ferry, Kirsty MacColl, Talking Heads, Beck and countless others, Johnny Marr + the Healers formed by chance.
Marr first met drummer Zak Starkey following a Who concert at Madison Square Garden in the summer of 1999. Former Kula Shaker bassist Alonza Bevan joined the pair later, following a recommendation from Noel Gallagher. Percussionist Liz Bonney emerged from Byron Bay with Lee Spencer’s rainforest synth wizardry in tow. Adam Gray summoned his slide guitar for the ‘Electro-Cosmic-Blues’ and, united by chemistry and cosmic energy, the Healers came into existence.
Boomslang was recorded at a house in the trees called Forest Edge, where the Healers lived and worked together in a commune-like environment. Inspired by the far-reaching sounds of Faust, Boards Of Canada, Neu, Bert Jansch, and esoteric literature by Madame Blavatsky, Ouspensky and Gurdjieff, the Healers lived like early digital glitter hippies. The ethos was to create an interesting rock record to space out to. A six piece band seeking an alternative to the 1990s British indie zeitgeist.
Reflecting on Boomslang, Johnny Marr said: “We holed ourselves up in our own otherworld and experimented with different ways to write, record and think; guitars and percussion all together in a room, and programming with new technology from the electronic scene. Everything was about discovery.
Twenty years on, I’m pleased we created the music and this new release of Boomslang has given me the opportunity to revisit it and present some songs that we weren’t able to include the first time around. The Healers was something special that happened to me and I’m grateful that it did. A special group of people in a special moment in time.“
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